Tag Archive | "Akon"

Red Café Is Officially a Bad Boy

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Red Café Is Officially a Bad Boy


red-cafe-1Newly partnered labels, Bad Boy Records and Interscope Records, have formally announced the signing of rapper Red Café.

With the success of his current single, “I’m Ill” featuring Fabolous (produced by Boi-1da [Drake: "Best I Ever Had," "Forever," and "Over"]; [Eminem: "Not Afraid"]) in rotation, the Brooklyn emcee is now preparing for the release of his debut album Red October, which will be co-executive produced by Sean “Diddy” Combs and Akon.

“I’m so excited. I’ve got the best of both worlds,” stated Red Cafe. “Diddy representing the streets and Akon bringing a worldly perspective to the project.”

“I can officially announce the signing of Red Cafe to the Bad Boy/Interscope family. Red’s lyrical skill and passion is unique,” says Diddy. “Red’s raw talent brings a new sound and fresh perspective from the streets. I look forward to him sharing his talent with the world.”

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Universal Motown Reincarnates Michael Jackson With New CD

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Universal Motown Reincarnates Michael Jackson With New CD


michael-jackson-the-remix-suites-album-coverIn honor of the legendary pop icon, Michael Jackson, who died tragically on June 25th, Universal Motown Records is releasing Michael Jackson: The Remix Suite on October 20th.

The project is a tribute CD comprised of a collection of top producers commissioned to remix 12 of their favorite songs from the Jackson 5’s catalogue during the Motown era, including popular tunes by the group such as “ABC and “Dancing Machine,” as well as more obscure records like “Maria” and “Skywriter.”

“It’s no secret that Michael Jackson’s phenomenal talent inspired countless entertainers,” says Universal Motown President Sylvia Rhone. “But his music also inspired many of today’s finest producers. That’s why we thought it would be exciting to invite them to put their own unique spin on his work.”

Enlisted on the project are top-notch producers such as Akon, Polow (Da Don), The Neptunes, Stargate, Dallas Austin, Salaam Remi, and Mark Hoppus (Blink-182), just to name a few.

“We jumped at the opportunity to be involved with this project because Michael is a legend who influenced our entire career and redefined the world of music,” says Pharrell Williams (of The Neptunes), who remixed “Never Can Say Goodbye.”

Producer Salaam Remi, who has worked with Nas, The Fugees, and Amy Winehouse (amongst others), remixed the classic “ABC” by adding a reggae vibe to the song. Commenting on the new version, Remi says he “imagined the Jackson’s taking a trip to Jamaica in the early ’70s with a Jamaican band playing behind them.”

For Polow (Da Don), the challenge he faced in re-creating “Dancing Machine” was “to mix what the Jacksons had done in 1974 with today’s music to create something new that sounds just as good now as it did back in the day.”

The release of Michael Jackson: The Remix Suite follows the model of Universal Motown’s bi-weekly four-part digital suite series, which started online on August 25th until it ended on October 6th.

 

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R. City, “Can I Get On”


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Live Music: “The Stars Align to Celebrate R&B Live”


On June 10, 2008, New York City’s premier music showcase, R&B Live, celebrated its one-year anniversary at its regular Times Square habitat of Spotlight Live. The featured guest on hand to help commemorate the special night was Akon and his roster of Kon Live artists.

Produced by 1st Class Entertainment co-founders and music executives Shanti Das (Executive VP of Urban Marketing and Artist Development for Universal Motown) and Eric Nicks (former SVP of A&R for Universal Motown and current manager of the Trackmasters); Lenny “The Barber” Hansen (LTB Entertainment), and DSA Media, the show’s existence is resonating throughout the industry. Speaking on the significance of the occasion, Shanti Das stated: “I think it’s really a monumental day for us because I can remember when my partner and I first started talking about this concept about three—three and a half years ago, and now I feel like R&B Live is the staple for the music industry; and in New York it’s very exciting for us because we were able to accomplish something that hasn’t been done in a very long time.”

This exclusive, invite-only event has become a haven for music executives, recording artists, actors, and other notable entertainment personalities. A major attraction of the event is the venue’s supper club style seating, which enables patrons to dine and watch urban music’s top performers of past and present showcase their talent, creating a casual atmosphere for members of the music community to relax, socialize amongst peers, and be fans on the night.

There were a number celebrities in attendance to observe the milestone, including: Ne-Yo, Lil’ Kim, Busta Rhymes, Michelle Williams, Nina Sky, Yung Berg, DJ Clue, DJ Scratch, The DJ Twinz, Monami Entertainment’s Mona Scott, Czar Entertainment’s Jimmy Henchmen, Imani Entertainment Group’s Manny Haley, Upfront Entertainment’s Devyne Stephens, Hot 97 Program Director Ebro Darden, Hot 97’s Asst Program Director/Music Director Jill Strada, MTV Director of Music & Talent Buttahman, VH1’s Sr. Director of Music Programming Breeze, VH1’s Music & Talent Relations Manager Angela Fisher, BET producer Candida Boyette, actor/comedian Tony Rock, and choreographer Laurie Ann Gibson.

Comedian and host, Drew Fraser, warmed up the audience with an assortment of jokes, establishing the mood before the start the show. The first act to hit the stage was new artist Colby O’Donis, performing his debut single, “What You Got” featuring label boss Akon. Next up was Ray Lavender singing his hit record “My Girl Gotta Girlfriend,” much to the delight of the female patrons. While the first two acts fit nicely into the R&B theme, the night was sparked by the hip-hop acts in Akon’s camp. Brooklyn MC Red Café set the tone for the rest of the evening when he performed his street anthem, “Paper Touchin’,” causing the VIPs to bob their heads and mimic the rhymes in excitement.

Following the great performances by the artists from the States, R&B Live went international, bringing the Caribbean to 49th Street and Broadway. Performing for the first time in New York City was Akon’s group from Saint Thomas, Virgin Islands—Rock City. In opening their set, the brothers showed their appreciation for hip-hop by playing a medley of classic rap songs: “Eric B. Is President,” “Luchini aka This Is It,” and “Hip-Hop Hooray,” immediately winning the support of the crowd. After performing their catchy debut single “Losin’ It,” Rock City elevated the energy level in the building to high, turning the showcase into Carnival with a Calypso inspired routine that forced celebrity guests like Busta Rhymes, Mona Scott and other notable attendees to participate in the revelry by merrily waving their table napkins in the air.

Anchoring R&B Live’s lineup of Kon Live acts was the touted Toronto rapper Kardinal Offishall. The artist of Jamaican heritage started things off with his rendition of “The Tide is High” featuring Rihanna (she wasn’t in attendance), originally made by rocksteady group The Paragons, and later remade by Blondie during the ‘80s. For the finale, Akon joined him onstage, lending his voice to Kardinal Offishall’s single “Dangerous,” before the CEO closed the show with his Kon Live family in tow, serenading Spotlight Live with a few of his featured hits including, “We Takin’ Over,” “I Wanna Love You,” and “Soul Survivor.”

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